First of all, you shouldn't ask people their opinion, because they'll often give it to you, and you probably won't like the answer you get. It'll be ill-informed and probably misspelled, even if it's verbal. Second, you shouldn't ask young people things. They text when they drive and listen to the music fabricated for pop sensation Miley Cyrus, so their judgment can't really be trusted.
Young people are dumb, and you really need some age and wisdom in order to be taken seriously.
Third, you're going to be hard pressed to find something that's scary in a horror film after any length of time. Everything in Halloween has been done since, to greater or lesser degrees. It's become so familiar it's almost passe.
Sure, the dialogue in Halloween hasn't aged well. The 30-year old actors-playing-teenagers' forced, wooden dialogue didn't even ring true when it was released. However, Halloween is well-paced and effectively shot in near darkness. Michael Myers spends the majority of the movie hiding ominously in the shadows or lurking semi-obscured by hedges, ramping up the tension. John Carpenter has created a suburban Halloween where the night is ruled by the young, filled with the promise of sex, drugs and rock & roll. It's a night where adults are foolish, absent or ineffective. His urgent, ominous score is still nightmare fuel. While naive compared to some modern horror films, Halloween generates a few thrills.
A grave-robber facing the guillotine recounts his adventures with corpses, vampires, and zombies in this wry British horror-comedy. Many horror films glamorize grave-robbing. According to the Frankenstein legend, all you do is dig a hole, haul out a coffin, throw it aboard a horse-drawn cart, and create your monster.
In old movies, there is no stench. You won't be covered in filth or rancid liquids. Grave-robbing is no sweat. So I enjoyed the refreshing take on grave-robbing dramatized in I Sell the Dead, and the matter-of-fact stumbling upon undead creatures. Of course you'll dig up the occasional vampire. Duh.
The reclusive author is examined in this speculative, lurid documentary. Filmed over several years, Salinger features many interviews of past partners and associates, but besmirches the late author's legacy at the end, pitches the film-maker's book, and teases with the all-too-familiar promise of new works from the cranky, eccentric, less-than-prolifically-published writer. Oops, spoiler alert.
Being a cranky, eccentric recluse, I take offense at the stalking of Salinger by his fans and the media. Having said that, I also understand how savvy Salinger was in the understanding of his own image, the anti-marketing of his product, and his manipulation of the public that needed to know more about him. Secrets are interesting, and they sell.
Unappealing amateur ghost-hunting hotel employees eat sandwiches wrapped in aluminum foil and drink Schlitz beer in this dreary thriller. Some sort of vague tragedy happened in a not-especially-old-looking hotel many years ago, but it's unclear exactly what that was. It doesn't matter really. There are some creepy moments, but often the cool stuff is interrupted by the irritatingly vapid thumbnail-sketch characters. Anyway, some vaguely plot-like stuff happens, but it's usually seen-it-coming-a-mile-a-way jump scares. Was the old guy the ghost's fiancee? Who knows? Someone forgot to tell us.
I've been busier than usual, and it's because Mrs. Deathrage bought me a new video game, and by "bought me a new video game" I really mean, "bought herself a new video game which I get to use occasionally". It's called Rocksmith, and you use an actual guitar to play the game. Meanwhile, you learn to play your guitar better, or at least that's the idea.
I have been a novice guitar player for years, being able to strum a handful chords and never really progressing. Mrs. Deathrage does not play guitar. However, she has been picking along impressively to the likes of Radiohead, Muse, and the Shins for the past 5 days, and she's kicking my sorry ass at this game. I am having the most difficult time mastering skills I was fairly certain I already had and creating an awful racket. Growing increasingly frustrated with my hammer-ons and pull-offs, I have plateaued; and by "plateaued" I really mean "screaming hysterically and hurling approximately a dozen guitars off the penthouse balcony in an absurd rage, while chunks of splintered wood, necks, strings, and pickups are piling up in the alley 42 stories below".
It's fine.
Using interviews and family photos, the story of a Detroit band called Death unfolds. Touching and bittersweet, the story really gets exciting when Death's records are literally rediscovered after the master tapes sat in an attic for over 30 years. I enjoyed the film A Band Called Death, but Rocksmith may be the death of me.
I had the night off, so I decided to have a mini-marathon of haunted house movies, and by "mini-marathon" I really mean "drag out a bunch of DVDs and then only watch two of them because I started them late and spent more time eating boxes of Tastykakes and Instagramming scary movie clips than actually watching movies". A friend of mine (yes, I have a couple of friends) said I should make a list of the haunted house movies I would watch in a marathon, and here they are.
I'm kind of a stickler about the term "haunted house movie", and assembling this list was remarkably difficult. As much as I love old, dark, spooky houses, to be included in this list the house must have at least one ghost haunting it, so The Old Dark House is out. I am not including films that involve ghosts but where the dwelling is not the main event or where the ghosts don't seem to be attached to one particular dwelling, so The Sixth Sense and The Eye are out. I am not listing movies about haunted things, just haunted houses, so Ringu is out. I am not including comedies, and if it's a horror comedy it should be more horrific than comedic, so Beetlejuice, Ghostbusters, and Abbott and Costello's Hold That Ghost are out. And again, the film has to have at least one ghost in it and not something paranormal that has ghost-like qualities, so The Amityville Horror, House, The Evil Dead and The Entity are out. And lastly, the ghost can't be a living person pretending to be a ghost, so The House On Haunted Hill or any episode of Scooby Doo is also out. There are no remakes on this list. You should still watch all the ghost movies in this paragraph I left out, because they're all great. Yes, even Scooby Doo, but just the first season.
I'm listing them in alphabetical order, because I don't like math; but I do like lists and creating posts just so people will click on my blog and view them, and people seem to click on Top Ten lists. Don't expect any big surprises. There's a reason these movies end up on lots of Top Ten lists, and it's because they're pretty great.
My own criteria often got the best of me. You'll be just fine.
I'm not going in depth reviewing each one. It's just a list. Relax already.
Stabford Deathrage's Top Ten Haunted House Movies By Stabford Deathrage
The Changeling
I've always liked this George C. Scott film where a composer moves into a haunted house. I'm a sucker for things that moves around on their own, a creepy attic, and EVPs.
The Devil's Backbone
An orphan sees ghosts during the Spanish Civil War in this early Guillermo Del Toro film. There are too many great ghostly moments to list in this beautifully-shot, complex and terrifying film, so just watch it.
The Haunting
The granddaddy of all haunted house movies, The Haunting still holds up after 30 or 40 viewings. Primarily using sound effects to scare, it's still remarkably effective.
The Innocents
Probably my favorite haunted house film, Deborah Kerr stars as a governess who moves into a haunted estate to babysit two creepy children. Even after more than a dozen viewings, I still get goose-bumps from this film.
Kwaidan
OK, so I broke one of my many rules. Kwaidan doesn't occur in a stereotypical haunted house, and it isn't mentioned very often in lists of ghost movies. That's a shame, but I guess 3-hour long Japanese ghost stories aren't very popular. That's also a shame, because Kwaidan is very lovely and you can see where the current style of J-horror ghosts with long black hair originated from.
The Others
Nicole Kidman waits for her husband with her two children in this chilling film. There's a twist, and it's great.
Poltergeist
A suburban family has things go bump in the night, during the day, and out in the swimming pool in this Steven Spielberg produced film. I once dressed my children up as the clown from Poltergeist, and had them hand out candy one year for Halloween. We didn't give out much candy that year.
The Shining
A jerk becomes the caretaker of a haunted hotel in this meditative film by Stanley Kubrick. I recently watched the documentary Room 237 hoping to get some new insight into this enigmatic film, but that didn't work at all. In fact, I nearly left this film off my list, as the ghosts seem to take a backseat to the mental unravelling of the Jack Nicholson character.
The Uninvited
Siblings move into a haunted house near a cliff in this melodramatic ghost story. The Uninvited hasn't aged as well as the other films on this list, but I still like it.
and finally...
The Woman In Black
Children die upon seeing the Woman In Black in this gothic British television movie. There doesn't seem to be a trailer, but here's a clip that's the least spoileriffic.
Sorry, but I didn't care for Paranormal Activity or Ju-On. If you like them so much, put them on your own list.
A man purchases a Rubik's Cube which reunites him with a lost love and some old friends in this gooey romantic drama. I'm sorry, but this kind of overly sentimental film that oozes and drips with soft-focus lovey-dovey leaves me cold. I just have no interest in watching those old cliches where a couple moves into a house and start doing renovations, and then someone's old love interest shows up which throws their relationship in a spin, and then they have to invite some folks over wearing leather and rubber to liven stuff up, and then everyone learns a valuable 1980s-shoulder-pad-based lesson in the end. If I wanted to watch Lifetime, I'd turn my cable back on.
