Prior to the Daniel Craig era of 007, I had convinced myself that a James Bond movie consisted of approximately 10% thrilling opening sequence, 5% entertaining title sequence, 10% Bond foreplay, 5% Bond Girl, 3% car or other gadget, and 65% meh. Skyfall has all those common elements. There's a thrilling opening sequence involving a chase through a bazaar, a colorful CGI title sequence with a great theme by Adele, and fisticuffs aboard a moving train. There's a couple of underutilized Bond Girls, and some foreplay with a sadly lisping and unfortunately coiffed Javier Bardem. Bond finally whips it out near the end and it's impressive, and by "it" I mean the Aston Martin. I enjoyed Skyfall, but all the ratios remain intact.
Thursday, November 14, 2013
Skyfall
Prior to the Daniel Craig era of 007, I had convinced myself that a James Bond movie consisted of approximately 10% thrilling opening sequence, 5% entertaining title sequence, 10% Bond foreplay, 5% Bond Girl, 3% car or other gadget, and 65% meh. Skyfall has all those common elements. There's a thrilling opening sequence involving a chase through a bazaar, a colorful CGI title sequence with a great theme by Adele, and fisticuffs aboard a moving train. There's a couple of underutilized Bond Girls, and some foreplay with a sadly lisping and unfortunately coiffed Javier Bardem. Bond finally whips it out near the end and it's impressive, and by "it" I mean the Aston Martin. I enjoyed Skyfall, but all the ratios remain intact.
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