The birth, death and rebirth of the instant self-developing film is examined in this interesting documentary. Using a muted color palette and a hint of soft focus, Time Zero looks reminiscent of an instant Polaroid picture. The film features an interview with John Waters, who has taken a Polaroid picture of everyone who has entered his home since the early 1990s, and no one can see them until after his death. Waters was very upset on the discontinuation of Polaroid film, and his interview is one of the highlights of the film. Speaking of being very upset, Polaroid-induced tears start flowing in Time Zero around the 50-minute mark, so you Polaroid fans should grab some Kleenex at that point.
My youngest daughter is a photographer who takes photos using expired Polaroid film, and if you scroll back a few posts you can see one of her portraits of me. I've tried telling her that they make brand new cameras. In fact, nowadays some don't even need film! She won't listen to me. Anyway, I think her photo captures my essence perfectly, especially because in real life I'm faded, off-color, and slightly blurry.